Hollywood has had a long and storied history of missteps when adapting popular video games into movies. This list, compiled by The Wall Street Journal, showcases some of the most egregious examples in recent memory.
The “how to make an action movie” is a blog post about the mistakes that were made when making the film “The Raid: Redemption.” The article goes into detail on what went wrong and how it could have been avoided.
Making action movies is a difficult endeavor. Creating any kind of film is a difficult endeavor. The film is the result of a collaborative process in which individuals from various backgrounds, ideas, and abilities join together to produce a single work of art. But action movies, in particular, are a distinct beast. They need a great deal of preparation in order to present scenes that the viewer will ideally find entertaining and thrilling, as well as preparation in order to maintain a high degree of security for everyone on set. Is Last Man Down able to pull off these incredible action sequences? Is it possible for it to be a decent action movie? Or does it fall flat on its face in every area of the genre?
Fansy Njie wrote and directed Last Man Down, which stars Daniel Stisen, Olga Kent, and Daniel Nehme. The film follows John Wood, a man who lives in a post-apocalyptic world after a horrible disease has destroyed society. John Wood has been a recluse after his wife died, until old adversaries seek him out and seize all he has.
Last Man Down is a poor film, and I’m sorry to say that. It’s a complete disaster. Why? You may wonder why, and the answer appears within the first few minutes of the movie. Where we are thrust into a moment that is intended to be sad and dramatic yet has any effect due to poor acting, lousy writing, and even the story’s worst placing. Aside from cinematographer Markus A Ljungberg’s efforts, every attempt from the other departments appears unprofessional at best and negligent at worst, making the picture almost unwatchable.
The film’s structure and concept are the first major flaws. According to the above description, the film seems to be attempting to create a massive universe in which a virus has changed life on Earth. However, since the film lacks the means to create that world, the spectator never sees it and only hears about it. When you can’t even deliver on your premise’s promise, it’s time to rethink your whole film’s tale. The screenplay has a lot of hands on it, but every scenario, set-up, joke, and piece of speech sounds forced and clunky.
This might be due to the fact that the film was translated from his native Swedish, resulting in every performer speaking in their second language rather than their home tongue. The objective is that the tale does not inform the audience anything and does not engage them in any way. The ambition quickly gives way to sloth, and the film’s 87 minutes are virtually entirely devoid of character or story development.
Action movies, on the other hand, don’t require a terrific story or outstanding characters to be entertaining, do they? They can overcome these issues by offering a succession of incredible action scenes that will pique consumers’ interest in seeing what the directors will show next. Last Man Down, sadly, fails in this respect as well.
But how do you do it? Well, there’s a major issue with the film and the actors that appear in it. They’re all awful performers who can’t deliver a line without sounding weird for the life of them. Stisen is the worst of them all, and it’s incredible that he was cast in the film’s primary role. The actor doesn’t seem to be experiencing anything, and he might be a robot for all we know.
Stisen is a bodybuilder with an incredible physique, but he is not a fighter, and his motions are lethargic and sluggish. It’s possible that the choreography is one of the worst instances of action choreography ever seen on television. The majority of the action is limited to a few kicks and punches, followed by some fairly generic gunplay. The movie, which is meant to be a spectacular action flick, ends up seeming more like an inside joke from its creators.
The remainder of the cast does not fare much better. If your actors’ delivery seems like they’re reading from note cards outside of the frame of the camera, you’ve got an issue with your film. Every single one of these performers exudes machismo, which generates a sense of anticipation. We’re going to witness something equivalent to Commando or Predator, according to the film. Instead, it devolves into a dull film about a virus that we never see, with uninteresting characters and pointless action scenes.
On a leisurely Sunday, Last Man Down could seem like a good pick to watch. But trust me when I say that there are a plethora of better alternatives out there, particularly in the action category, where films like The Raid and John Wick have set a bar that is impossible to surpass. You could see any other movie this year and do better than Last Man Down.
2 out of 10
The “i make an action movie pop smoke” is a book that discusses how not to make an action movie.
Frequently Asked Questions
What makes a movie an action movie?
A: The defining characteristic of an action movie is the presence of excitement and physical risk.
How do you make a good action movie?
A: Im not sure what you mean by this question.
Can a 12 year old make a movie?
A: Yes, but they would need to get a waiver from their parents first.
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